Sunshine

From My Love

BREAKING NEWS!! BREAKING NEWS!! BREAKING NEWS!! BREAKING NEWS!! BREAKING NEWS!!

Madonna’s ‘Hard Candy’ hits shelves April 29

Album will be singer’s last release for Warner Bros.

LOS ANGELES - Madonna has dubbed her final album of new material for her longtime Warner Bros. label “Hard Candy,” and will release it on April 29, her publicist confirmed on Tuesday.

The album, which features such songs as “Candy Store” and the first single “Four Minutes,” is the follow-up to ”Confessions on a Dance Floor,” which debuted at No. 1 on the U.S. pop chart in November 2005.

The title and release date were first reported by Entertainment Weekly’s Web site, and the details were confirmed by Madonna’s spokeswoman, Liz Rosenberg. Entertainment Weekly quoted Rosenberg as saying the 49-year-old singer “loves candy.

"Hard Candy” will be Madonna’s last studio release for Warner Bros. before she begins a wide-ranging 10-year recording, touring and merchandising deal with Artist Nation, a new initiative launched by concert promoter Live Nation. Warner Bros., a unit of Warner Music Group Corp will also release a hits collection.

4 Minutes

Ok, so you can't SEE Madonna as it's not even her in the video (it's a clip from Nelly Furtado and Justin Timberlake for Promiscuous), but I can barely HEAR her either... hope this is not a sign that "Hard Candy" is going to be Rotten. No matter, you can rest assured I will be picking this up the Instant it hits the shelfs!

Full review to follow.....

Thanks Danny!

Too Good Not to pass on......

Art

\\

DIA

Jeff

Diego Riveria "Detroit Industry"

1. DIEGO RIVERA
   Mexican, 1886-1957
   Detroit Industry, 1933
   Fresco
   Founders Society Purchase, Edsel B. Ford Fund and Gift of Edsel B. Ford
   

The Detroit Industry mural cycle in the Detroit Institute of Arts is the finest example of Mexican muralist work in the United States, and Diego Rivera (1886-1957) considered it the most successful work of his career. The murals are a tribute to Detroit industry in the 1930s. It is one of the few major modern works to successfully incorporate representations of functional machines. Rivera transformed their physical power and practical design into dynamic images and sensual forms.

In 1932, when Diego Rivera was well known in the United States as one of the leaders of the Mexican muralist movement, he was commissioned to decorate the walls of what was then called the Garden Court of the Detroit Institute of Arts. Although he was originally asked to paint just two of the largest panels, Rivera was so captivated by Detroit and the Ford Motor Company's River Rouge industrial complex that he soon suggested painting murals on all four walls. The project took eight months to complete.

The only stipulation of the project agreement was that the theme of the murals should relate to the history of Detroit and the development of its industry. Major sections are based on Rivera's study of the Rouge; other sections are devoted to different industries active in Detroit at that time. The complete cycle combines the artist's love of industrial design and admiration for North American engineering with his philosophical opinions about industry's positive and negative contributions to society.